Wednesday, August 9, 2017

World-building :: Realistic naming technique


I've been helping my dad on-and-off for about 20 or 30 years for writing his pulp sci-fi novel. I recently wrote up an simple tutorial for creating make-believe names for within a constructed language.

Roman Morphemes

See the link here for Greek and Latin morphemes which are root words ("morphemes") of the Roman language. What you should do is read the list several times to become familiar with the various root words and their meanings. We will use this knowledge to create a new language. Let's call this language "Romorphani".

Step 1 - Pick Root Words

Pick a few choice root words which give a hint to the intent you want. You could do this at random such as follows:

Page 1 we see act, acu, acr, ac, and alt.
Page 5 we see plic, plur, plus, pneu, polis, and polit

Step 2 - Smash the Root Words Together

Next, combine those root words together to create a new base term.
Combinations we could make just with the above; actplic, acuplur, acrplus, acpneu, altpolis

Step 3 - Insert some vowels

Some of the combinations will be weird. We can see that we'll need some vowels.  I'll insert them. Therefore add vowels between them if they'll need some, or remove vowels if they overlap. I just insert the vowels that make the final form look interesting like -a- or -i-.

actplic > actiplic
acuplur > acuplur (no change)
acrplus > acraplus
acpneu > acupneu
altpolis  > altipolis

So the list becomes:


Step 4 - Evolve the Sounds

All languages have phonetic drift. The average rate is one shift of phonetic form every 800 years. Depending on influences from other cultures (conquest, trade) the shifts may occur much faster like perhaps 1 every 10 years for a short period of time. We are going to invent some rules to show you what I mean by "phonetic drift".

Let's presume that in your revised language, all first letter -i- after -a- become letter -e- and all -pl- becomes -th-. Lastly, any -the- automatically becomes -thy- because I think it's cool. That's three shifts. This would cause the name transformation as follows:

First make -i- become -e-: actiplic →  acteplec
Next make -pl- become -th- : acteplec actethec
Lastly make -the- become -thy-: actethec actethyc 

As you can imagine, this is hard work if you have a lot of names.

Step 5 - Add A suffix

Lastly, add a suffix of your choice to identify a person, place, or thing.  I'll will make some presumptions about the sorts of suffixes that we should use in this example as follows:

-ius, -us, and -os are male suffixes
-ia, -ya, -ina, and -iya are female suffixes

Here are my words using various suffixes appended to the word actethyc:


In all the above cases, the original root terms are acti and plic which mean (from the PDF) "to act" and "to fold". Perhaps then the character whose name is Actethycius is one who always folds his hands whenever tasked to work on something he hates.

To do things automatically, see the SCA information at the very bottom of this page.

Conversion of Existing Stuff

Consider these Roman terms which we can convert:


Each of those have suffixes. We'll strip them:

Magnifico →  Magnif
Scippio →  Scip
Vangales →  Vangal
Augustus →  August
Nerva →  Nerv
Agrippa →  Agrip
Zada →  Zad
Khyber → Khyb

Now we'll do some phonetic shifts; let's do three new ones.  We'll make some of the -g- become -gh- and all first -a- not leading a word become -u-. Afterwards, all -i- becomes -a-.

Magnif  → Mughnaf
Scip →  Scap
Vangal → Vunghal
August → August (no change)
Nerva → Nervu
Agrip → Agrip (no change)
Zada → Zud
Khyb → Khyb (no change)

And now we'll add some suffixes. I'll make boys end in -us and -is and girls end in -ia and -a. Things that are not people have no suffix. Here's the revised naming:

Mughnaf  →  Mughnafus, Mughnafis, Mughnafia, Mughnafa
Scip → Scipus, Scipis, Scipia, Scipa
Vanghal → Vanghalus, Vanghalis, Vanghalia, Vanghala
August → Augustus, Augustis, Augustia, Augusta
Nervu → Nervus, Nervuis, Nervuia, Nervua
Agrip → Agripus, Agripis, Agripia, Agripa
Zud → Zudus, Zudis, Zudia, Zuda
Khyb → Khybus, Khybis, Khybia, Khyba

Of course, I have no clear knowledge of what each root word in the original names mean except by use of Wikipedia.

The Sound Change Applier [ SCA ] - Automatically Evolve the Names

Mark Rosenfelder has provided his on-line tool the "Sound Change Applier" [ SCA ]. This tool helps people create automatic changes to lists of names.

The tool is preset with a set of "sound changes" which you can apply to anything you create. Do this;

  1. Copy the variations of the actiplic names from above at step 3.
  2. Visit the site at 
  3. Look for "Input Lexicon" and replace all of that text with the content copied into the clip-board.
  4. Click the "Apply" button and look at the "Output Lexicon" field.
  5. You should see the following transformations:
actiplic → actiplic (no change)
acuplur → aguplur  (no change)  
acraplus → acraplo
acupneu → agupneo
altipolis → altiboli 

If you look closely, many of the rules from the SCA were applied. These rules do things automatically applying the "Sound Changes" configurations such as making -plicus become -pligo or -plicos to -plicjo.

Afterwards, I'll add my suffixes. I'll target the last term "altiboli" from the bottom of that list above. In this particular variation, I'll only use -cha for girls, -zho for boys, and -jut for neutral.

altiboli →  altibolicha
altiboli →  altibolizho
altiboli →  altibolijut

And as before, we can know that the original root words are "alti" and "polis" for "high" and "citizen, city". Therefore we can reason that a girl named Altibolicha or a boy named Altibolizho are probably high-ranking citizens or they came from a city high upon the hills.

Read more about the SCA rules here:

Wednesday, August 2, 2017

Preparing for Mech, Beast, and Infantry - Part II

Mech, Beast, and Infantry

I've got the rules for Mech, Beast, and Infantry v0.39 [ MBI ] posted on the Delta Vector forums. I'll be updating it soon before posting here; I'll do this after another play-test to ensure the game flow is correct. In the meanwhile, enjoy some progress pictures!

The Pictures

Here's my suite of assets I've assembled for MBI. The figures are based on 30MM fender washers. I'll need to primer them and then do enough for table-top quality. The models are from MechWarrior Clix and from Dropzone Commander. I've got four from the Robo-tech game as well.

I think I have 30 buildings. Some require their top walls to be decorated. All of them are from Hawk Games.

These are the objective markers. They'll count as terrain as well.

My mechs. The four in the back are from Robotech. The remainder are from Mechwarrior Clix.

Overview of my collection. The snake monsters are the size of a medium mech. I think they're from Mageknight Clix or something.

Tuesday, June 13, 2017

MEST 1.61 Basic Rules available

I corrected a number of gaps which I inadvertently introduced in version 1.60 back in the year 2015! The corrected version is dated 2017.06.13


Most of the changes are within the full-color rules.

  1. Initiative rules altered; who wins, and how many IP tokens are awarded and to whom
  2. Added Common Effects and explained how to read, create, and use armor and weapon effects.
  3. Added traits for Night-vision, Insane, Slippery, Trample, and Thrower.
  4. Added 16 pages of Assembly information under sample genres.
  5. Also updated Table of Contents.


With the new section for the sample genres I introduce "Effects" which are ways of renaming armor and weapons.  So an Average character with Sword could be renamed as "Wolverine" with "Synthetic Claws". This already existed as a concept but I made it more formal by declaring it within the sample genres section.

Additionally, I listed "Common Effects" which are combinations of useful traits that can be assigned to weapons, armor, or to characters directly. For example, the effect "Tactical Genius" can now be assigned to Acrobats or Brawlers to provide those characters +1 INT and +1 Tactics. Or, the effect "Swift" could be assigned to ... perhaps some character as "Magical Boots" and provide it +1 MOV and +1 REF.

Advanced Rules

I realize that the rules for Magic and Suppression, two rules I have been using for MEST, are not included in the Basic Game rules which I think is the correct choice. I also realize that the points-costing system I have the MEST 2.0 (Basic + Advanced Rules) is dramatically different than what is available for MEST 1.61; this is something that will need to happen because some traits are just too powerful. Until that set gets released, I hope everything else is acceptable for play.


see here and also at the menu at the right for direct links.

Sunday, June 4, 2017

Preparing for Mech, Beast, and Infantry - Part 1

Mech, Beast, and Infantry

see Part II here.

I'm building out Mech, Beast, and Infantry as a pre-game to Absolution War. It is in late-alpha early-beta and I'm setting it up on Delta Vector forums right now. Both games are 10MM (1:160) scale rules systems. I will need at least two in order to support Mech, Beast, and Infantry. I'll need at least two more to make Absolution War interesting.

The key feature of Mech, Beast, and Infantry is that there aren't that many unit types; the key three are walking battle-mech roboto stuff, infantry with their limited ordnance weapons, and huge cybernetic beasts. I'll probably bring in some drones, vehicles, and artillery later but probably also not. I want the setting to be very limited.

Any how, here's some of my early effort on building my armies. I've been purchasing Mechwarrior Clix figurines and converting them. Those are roughly 10MM. What I'm finding difficulty in locating are light infantry ... most of the models I find are power armor or heavy infantry.

The Infantry. I'm WIP with adding fine-grained sand to their new bases. I'll then cover it with Elmer's glue. These are Mechwarrior Clix units. I've taken some of the original clix and clipped them into two or even three new units after rebasing them. These are 30MM bases except for the solos which are on 25MM bases.

Some of the Beasts. In the background you can also see my Objective markers. I can use these for MEST as well.

Nearly everything here is prepped with the Elmer's glue at the top layer. I'll just need to spray them with black primer paint and then color them. More later ...

This is all that I have at present.I tried to group the units into Squads (using the MBI Formations nomenclature). There's something like 15 Squads here.  I ordered some more clix from eBay.  

Friday, May 12, 2017

Giant Robots of the Absolution War

UPDATE: Yeah. I've only recently recovered from nearly 9 months with a sinus infection and I'm so happy to have received some anti-biotics! The stress from my job didn't help either. My only solace is cups of coffee and maybe some white-noise.

Latest News

So, I've been getting more energy now that I've been feeling better and so I've been putting some effort into a couple of new designs. There's actually two designs; "Giant Robots of the Absolution War" [ GRoAW ] is the primary design and where these settings notes come from, and then there's "Mech, Beast, and Infantry" which uses a different design but is spiritually a sub-set of the first design.

What's been inspiring me is that I've got about 30 or 50 MechwarriorClix figures that are in the 1:160 or about 10MM scale that I wanted to use. I've been lurking in the forums for Dropzone Commander and thought that maybe I could do a MEST-flavored "improvement" over the basic concept; something within the Ovoidium Cosmogos universe, similar to my Web-published boardgame "Giant Robots of World War II."

These two new systems have been in development for about maybe three months; perhaps 20 hours a week. Still very rough, but my hope is that beyond the new genre and setting I can get a different take on how skirmish games could play out. Maybe some of this will help me improve the MEST 2.0 design that I've still got in the works.

I'll post up "Mech, Beast, and Infantry" once I wrap up the fundamentals; I'll probably post on Delta Vector forums first to get some (hopefully) positive feedback. It's currently v.0.25 and relatively short at 8 pages, and may grow to 12 pages when I'll be done. The main game GRoAW I'll probably keep improving in the backdrop; it may not see the light because I think it is more of a tinker's toolset akin GDW's Striker and GZG's Dirtside II.



Giant Robots of the Absolution War (GRoAW) is a tabletop skirmish miniatures game played between two opposing forces with 1 or 2 players managing each force. The play area is a modern or futuristic city which serves as the battlefield where these forces compete for supremacy.

Each Player represents an aspiring Little Wars Commander at the War Event of 2588 AD. They have been selected to resolve an Argument (a scale of battle) as a literal Player voted to serve as the Face of a particular Diction which collectively are known as Stages of Conduct which can be any of the arcologies within the Solscept. The Players are responsible for selecting the best warriors, mechs, vat-grown beasts, and machinery, from a cadre of Practitioners of the Ritual of Absolution and the best Catalogs of Destruction. Failure or victory; either guarantees penitence in the Eyes of the Lord. But that is in the Spiritual Realm. Upon the material plane, upon this cursed Earth; the victor wins the adherents of the false philosophies to become initiates and converts into the One True Diction and eventually bring about the Correct Coherence of the Final Absolution.

Help fight the decisive battles of the Utmost Age within the Demesnes of Solscept! Prove your worthiness! Show your righteousness! Choose your holy weapons and machines of war, and demonstrate your tactical skills through proper maneuvering of those forces upon the battlefield. There may be death. There might be destruction. But indeed there will, by God; be redemption! Amen.

The Absolution War

The arrival of fusion power enabled the rapid access to the planets around Sol. Artificial General Intelligence, mini-macro-printing, and advanced robotics helped with the construction of vast arcologies here on Earth, at the Trojan Points, to the Moon, and beyond. Genetics assisted in populating the many worlds now known as Demesnes of the Solscept. Mastery of biomimetics transformed man and beast into malleable vessels for technology and increased each species' hardiness for survival in harsh environments. Virtual and augmented reality, the foundation of what is known as the Sensual Realms, allowed society to become entertained and informed. With the creation of the Cyberkhyber, a multi-planetary world-spanning network-distributed fortress with the Sensual Realms, death itself has been conquered and fear of it deters very few. No member of society has needs or wants within the actual reality of the Physical Realm.  It has been this way for nearly 300 years and nearly every biome, planet, and rock has become a fully-inhabited domain. The entirety of all settlements has flourished without conventional war nearly all these centuries. As a result, Reason and philosophy became the endeavors of the majority of all populations across all habitations, virtual or real.

Great societies arrived and flourished under the guidance of the Quiet Voice; that singular expression of all inter-connected artificials intelligences. All leaders speak factually, reasonably, succinctly, and emphatically their well-substantiated decisions. The people vote using similar informed reasoning. Many of the populations as a result turned from their studies within their virtual worlds to see the World as it is just to take note. Imdwellers, the peoples of the Demesnes, sometimes disconnect and wander outside their underground crypts to see their beautiful but nearly empty cities, transformed landscapes, and strange lab-grown animals managed and minded by robot caretakers of various forms. Some remain outside to live simpler lives and to guide the tremendous shaping processes brought by technology, and these became known as the Raucous Few.

However, the Raucous Few began to enjoy their freedoms of being Disconnected and began to shape the World by introducing Whispers of Dissent. These well-placed and well-disguised memes turned what had been seamless harmony within the Ocean of Words into mere stretches of Punctuated Equilibrium. Soon, the entirety of the Sensual Realm started to question their purposeless life and begun to seek meaning. Over time, the people and their leaders became belligerent. They had no vent except through their virtual games and this has become worrisome for many as those inclinations became Manifest as small chaotic exchanges of Death Without Reboot and unplanned property de-establishment. There must be more to life, the social network reasoned. Absolutely the style of living with all needs appeased dissatisfied too many. The resultant varieties of discourse within the Ocean of Words created a positive feedback loop especially among those Raucous Few.

Many of the Imdwellers turned to esoteric philosophies and others turned to specialization into religious studies for what better way is their to expend energy than to argue archaic writings? Competing ideologies raged across the universe of thoughts, each their own Diction in an Ocean of Words. A rare few persons, still numbering into the millions, specialize further into martial studies. These are the Practitioners who are enhanced with cybernetic dictionaries of kinesthetic verbs and forms, with codexes of warfare containing recipes for organized combat in all its forms. Flowery terms for each clade of thought abounded to mask the simplicity of these thoughts, these Dispensations.

The entire Solscept had been at peace for nearly three centuries, but the Dispensations became more limited and some transformed into binding Ordinances in order to curb extreme thoughts. The Raucous Few home these actions would limit virtual violence before it would escape towards the Physical World and affect even themselves. To Failure; no memes could stop their infectious ancestral idea; "To Be". Mankind has always had its braggarts, psychopaths, and visionaries. Each scheming or desirous of a better future shaped to their will whether it be wars of the body or spirit. In the ancient past these schemes were resolved with bloody aplomb upon far-ranging battlefields where upon thousands if not millions perished.

Soon, from the Quorum of Worlds formed by the Lead Voices of each arcology, a Resolution came into being. This Structure was designed to quell the stochastic outbreaks of violence which had become more frequent. It was made clear in these exact words issued to all of the Solscept; "Realm or Roe, Vec or Vulg; those who want to fight, fight. Those who want to stay, stay. We demonstrate our lessons and want them beg sway." This was 14 years ago, and it started what is now known as the Utmost Age; the age of warfare as a precise tool of argumentation. It has also become a channel for many who seek death but were too ashamed of their sensuous lives within the Ocean to merely end it at the hands of their semi-autonomous Minders.

Now is the Utmost Age when warfare is punctuated, refined, and focused into the Rituals fondly named "Little Wars". Only the participants, the Practitioners, are put at risk. Each school of thought or Diction has its voice here and the impact of a Ritual which has been decided affects the entire Ocean of Words. Hence now each nation has annual War Events comprised of Little Wars, in which they select among their best and brightest to demonstrate their righteousness through tragic plays of mayhem and madness.


I wanted to create something weird but familar. It needs be flexible enough concept, with some constraints, to allow players to bring their own ideas for units to the table.


Many of the well-connected humans in society are utterly bored and live in virtual worlds.
  • Some of these have decided to fetishize their beliefs and become an adherent of an extreme philosophy known as a Diction.
  • The more arcane or religious the source of philosophy, the more adherents it will have.  Subjects range from Abrahamic religions, Scientology, Urantia, Wicca, New Ageism, UFO Conspiracy, Objectivism, or even Racism. 
  • These people join Memeleagues where the other members have a common Diction but multiple forms of Expression.
  • Some of these adherents have decided to change the world outside of their their virtual lives permanently. These are known as Practitioners.

Logos and Bios

  • It is possible for the mind to exist independent of a body. This is the Logos (loh-goss) and Bios (bee-oss) separation. 
  • It is also possible for a single mind to have copies of itself in different bodies. Each copy is registered as an Independent Member of a Logosbank and has rights just like any other human.
  • Bodies are actually transhuman; they've each been genetically and cybernetically augmented and are known as "Techno-organic". 
  • Most bodies, known as a Verum Corpus, are vat-printed on-demand without any memories to allow a Logos to control it.
  • Some Practitioners have decided to have pure-human bodies with few if any cybernetic enhancements, and just base-line genetic modification for diseases and general health. These are known as "Purists".
  • Most Practitioners switch out their bodies and when going to War can survive physical death through their Logos Devices which is stored within their skulls.
  • Many Practitioners desire to have a Single Voice, and will enter in a battle with duplicated Logos serving in different biological forms. This is known as Shouting the Din, and is considered to be somewhat like cheating especially when the Practitioner is supposed to be of higher standing. Each copy of the Logos makes the Practitioner become referred to as "The Unswayed" because of their stronger conviction during battles.
  • Some Practitioners, especially the wizened veterans of multiple wars, tend to become "Shut-ins". These have decided to destroy not to use a Logos Device when entering battle; death for them is permanent.
  • Some very few Shut-ins have been known to go one step further download their Logos into a stylized android construct to increase their durability. These "Machinamaksim" Practitioners are somewhat extreme even when compared to the others.

On-demand Constructs

The technology available to the Practitioners is astounding and can fabricate, grow, and customize any design crafted in the virtual world to make them physical within the real world. There are entire networks of artists, engineers, and researchers dedicated to crafting the best possible designs for use in these Arguments of War.
  • Retrodecofascii use designs from other eras including Gothic, Grimdark, Cosmic, Heavy Metal, Steampunk, Googie, Industrial, Atomik, etc.
  • Weeaboodo is pure art designs inspired by toys and cartoon characters. Many of these designs hail back as far as the early 1900 and 2000 AD.
  • Anachrocastrati employ sentimental designs of ancient eras of warfare such as Medieval, Pike & Shotte, Rifle Age, World War II, Vietnam War, Wars in Iraq and Afghanistan, and others. Nothing beyond 2100 AD

Design Goals

These were my targets for the design after several weeks of musing. Having little teevee time sort of helps here, as well as long commutes home from the office job.

Theming Goals

These goals are inspired by the Japanime stuff, even including something like Paprika. May old books as well, such as Heinlein's Starship Troopers and Keith Laumer's Bolo. I guess throw in some Metal Hurlant as well.
  • Strange Futurism
  • Heroic infantry
  • Style personalization

Mechanical Goals

These particular goals are a bit more like a wish-list. 
  • Faster game-play but more Rounds (pfft, shahright)
  • Fewer units
  • Allow models from any genre to be used
  • Make mechs, mecha, walking tanks significant
  • Make infantry survive unless against specialized weapons
  • Make aircraft stay on the battlefield
  • More tactics less luck (pfft, again because dice)
  • Flexible build-your-own
  • Integrated campaign system


Existing game designs and forums discussions always help influence me. 

Monday, January 23, 2017

Game Design - State Space

NOTE: This is a cross-post from an entry I made at Delta Vector within the game-design forums.

In Regards to State Space

When designing a game I think there are several realms of concern in regards to state space, that abstract realm where information is kept for use by players in order to make wise decisions during a game.  These realms of concern are public vs. private information, presentation, state complexity, and hidden dependencies.

Public vs. Private Information

These are two different ways for presenting state information.
  1. Public - Information that is public is displayed for all to see. This usually is information readily apparent to all players and typically presented between the each of them upon a game board or playing field. Public information is often made known with tokens or markers upon a track or made proximate to the physical thing to which is modifies or signifies. Ease of play is a feature of public information because what a player needs to know is visible before them.
  2. Private - Information that is private is recorded for a single player to see; the one controlling the recording. This information usually is logged and is only available upon request to other players. There's some mechanical advantage here as well; a private ledger can keep track of a lot of information.

    As a result of the information being private, to request a value is a "slow mechanic" which makes a game take longer to play. because a communication sequence must be pursued.

    You can imagine this silly exchange between two players;

    [ Jim ] What is the status of your knight, is he wounded?
    [ Rob ] Yep.
    [ Jim ] How about on fire. Is he on fire?
    [ Rob ] Yep.
    [ Jim ] Charmed or not?
    [ Rob ] Not charmed.

    etc. essentially the players in the above exchange are doing some variation of Go Fish!

State Representation

State representation are common ways to show, typically, public information in some ubiquitous manner.
  1. Presuming that a game design is a tactical boardgame, the one common bit of state information is the position upon a field of play. 
  2. Some games allow a figurine to face forwards or backwards; their orientation informs others when a model becomes vulnerable to a bonus "stab-in-the-back" attack.

    -- Games like Strange Aeons allow models to face up or face down to show Knocked-out or Out-of-Action. Presuming they have a facing [ if they aren't Flying Polyps  ].
    -- Many games show status like "on fire" with strips of wool.
    -- Or, in Blackpowder; the rules use white cotton ball "puffs" to show that a model has fired its weapon.
  3. In mostly boardgame designs, public information is shown upon tables or charts with tokens.

    -- In Advanced Civilization there exists the time track showing where a player's civilization is in position to another.
    -- In many heavy Euro-style games where each player presents a tracking board for their resources. Like in Power Grid.
    -- At the minimum there would be a victory point track.
  4. In card games, the cards themselves become public information when played. They'll serve multiple state fields; as assets, as resources, as terrain, and as modifiers.

State Complexity

This is a combinatoric feature of a game design. The more discrete states there are, the more combinations there can be.
  1. This is where, for me, a game becomes interesting because it allows opportunities for players to manage the "state space".
  2. However, by having too many statuses, the game can become slower because the state space - the total matrix of state combinations - grows very large. This usually requires more time to think things out and for people who experience "analysis paralysis" this will cause them to utilize deeper mini-max optimization.
  3. One thing which helps flatten the time to analyze state is the commonality of representation. A game board, especially a simple grid or open field with easily recognizable "terrain" is much simpler to parse by our ability to do visual pattern recognition. So though a battlefield for a tactical game is large, we don't usually think that it makes a game any more complex. Same goes with the orientation of a model, its facing, or whether it "on fire" or "has fired".
  4. Other things are harder to parse, even when the presentation is clear and public. Such as weapon reach of 1-inch or 2.5-cm from the center of a model, or yaw and pitch or whether a model is flying at 4-Altitude or 5-Altitude without resorting to gimbaled telescoping flight stands.
  5. Regardless, the more state the more interesting combinations there can be. "KO'd", "Fired", "Done", "Sprinted", "Hidden", "Facing", "Position", "Panicked". You can imagine the combinations here and how game play could change dramatically.
  6. And with each state, there could be rules to manage those states. But too many states and then the game gets too complex to play quickly or to play at all.

Hidden Dependencies

Hidden dependencies are things that make the game operate as intended but are not declared explicitly with a rules set.
  1. In well written rules for boardgames, there will be an inventory of all game assets similar to this list;

    -- 1 x battlefield
    -- 4 x dice "red", "yellow", "blue", and "green".
    -- 120 x models each with its own stat card.
    -- 32 x status tokens for "on fire", "hidden", and "panicked".

    Having something like that at the preface of a rules set is very nice. Maybe the rules might include something like this as well;

    "this game include 32 copies of a private ledger for recording and tracking campaign game progress. You are free to photocopy for your own non-commercial use".
  2. What I see in tabletop miniatures games is usually something different. Typically there is nothing like an inventory at the start of the game rules. I think part of it is that the nature of the genre allows for some flexibility on which available models there could exist for play in the game, as well as what sorts of battlefield terrain such as buildings, trees, and hills could be available.

    However, it would be nice if I could see something like:

    "This game requires a minimum of 4 models per player, 8 pieces of terrain representing hills, trees, or buildings, and 10 six-sided dice."
  3. Another category of hidden dependency is status tracking. It may not be until later in a particular set of rules I might read and discover that I need to somehow identify a model as a "Big Man" or that I have to track that a machine gun is "Out-of-Ammo" or that a unit is "Routed" or that a squad is "Suppressed".

    These are all interesting state complexity values with their own rules and I like it, but I'd prefer to have such things made known at the front of the game rules.

The Ledger

Lastly is the ledger, or commonly known as the record sheet. Some games just identify this is as "the log".
  1. Games like Warmachine have explicitly available datacards for private information tracking which have stat lines, model-assigned-rules, and then a suite of checkboxes to mark damage received. These in principle I have no problem with regardless of how fiddly such a feature is because they are made known as a game feature within the rules by their very presence.
  2. However, many games in order to reduce publicly represented state information clutter move that information into private control and management. This is a reasonable trade-off but what will happen is that the tracking of that information is often implicit (maybe through omission, maybe through intent) and also declared (if at all) late into the rules set.

    Or not; sometimes it seems that it is up to the consumer of the rules to decide and I think this is bad practice and also makes it harder to learn a game.
  3. For example, a model might have 5 weapons each of which could be in these states;

    -- "Nothing changed",
    -- "Destroyed", or
    -- "Out-of-Ammo".

    For a single model, that is something like 0 to 10 statuses to track just for its weapons Where to display this information? Publicly? Nope, on a ledger. But for some games there is no ledger provided by the rules or indicated by the phrasing of the rules.


I think that to limit a game design to some arbitrary fixed number of states active or otherwise is a designer's choice. There are always trade-offs.
  1. Many games, card games especially, and in particular Magic: The Gathering; have dozens of states categorized into a dozen state fields with each field being something like "in hand", "discards", "in play", etc. 
  2. The multiplier as a result of all these combinations can create humongous state spaces which are time-consuming to search through.  If players were to compartmentalize these using some sort of heuristic strategy for visiting and analyzing, then the game becomes manageable.

    So, for example, M:tG has this thing called The Layer System which groups states into categories of effects. Each category then groups state modifiers within them.
  3. Something I think is already understood by most players if not most designers is that complexity (and time to resolve) increases with the number of players involved and the number of assets involved. It'd be nice to have a deeply intricate game allow inclusion of a third or fourth player, but it probably is too complex to resolve quickly.
  4. The more assets (units, models, figures) which are in play also is a state field and also increases the complexity of the game. Imagine a game between two "flying battleships", each with detail on the level of Starfleet Battles.

    It might take 1 hour. Imagine such a game with 16 such vessels in play ... the game might take 1 hour or more likely ... ? 6 hours?  Take that an then divide those 20 ships across 10 players instead of two players; the game will definitely take longer because of at least two additional factors; transition of flow between more players is a friction because it is a physical/social mechanism.

    And the last is that the search space is larger since each player - were they computers or persons with "analysis paralysis" - would want to optimize their moves they'd have to regard additional combination.

    BTW, I did this last thing; 16 ships and 10 players using all of the Starfleet Battles rules we knew at the time. It took 6 hours. I think in SFB circles, this is a "medium length" game session. =)
  5. I presume that game designers would want to have a sense of how much time they would want a standard game session to last. At that point, they scale down (or scale up) the available complexity in their design. Then they'd do some math regarding available assets and divide.

    For example, I'd rather that a game take at most 90 minutes per session for 5-11 units each player or about 16 units in total for all players. I'd want to have at least 5 player Turns each (5 Rounds), and so this would be 90 minutes divided by 5 Rounds is 16 minutes per round. Divided by 16 units means an average processing time of 1 minute per asset. That's about 8 minutes per player.

    Therefore if I can get move + combat down to that average per asset, then my design is as I have intended. If resolution time runs slower, then I need to trim my state space and reduce complexity by removing some statuses. If not, then I shouldn't be too surprised that it takes 6 hours.
  6. If I were to want to make that Starfleet Battles game as fast as 90 minutes to resolve, then I'd need to remove or simplify lots of the features. I'd probably start by reducing the impulse chart from 32-impulses down to 8-impulse. Then the energy record sheet would need to be simplified. Then the Damage Allocation Chart would need to be simplified. Then the number of tactical options (HET, Wild Weasel, Transporter bombs, Boarding Parties, etc) would need to be trimmed. Etc.

    There's a lot of cruft to remove! It'd be a different game afterwards and maybe would require being given a new name, like "Starfleet Commander" or "Federation Border" or something.

Wednesday, December 28, 2016

Cold Steam Empires - Flight stands


This is the third in a series for crafting assets for the VSF genre.  In this particular post I will show how I crafted flight stands. These flight stands prop my "aeronef" (flying battleship) proxies above the field of battle to provide an illusion that they are hovering upon the table.


Here's what you'll need.
  1. Hot glue gun with hot glue gun sticks. Maybe a dozen or two.
  2. Zinc washers 1.25-inch
  3. Zinc washers 0.625-inch
  4. Neodymium (rare earth) magnets 10mm. You can order a variety from here:
  5. Wood blocks with pre-drilled holes. These can also be beadery blocks. The holes are for the dowels.
  6. Dowels. These must fit the holes.
  7. Snap-lock fastener bushings.
  8. Bird-nose pliers for clipping stuff.
Ignore the coasters at the left and the woodsies disc near the middle; those are for the cloud stands. =) The package with the black label contains pre-drilled blocks with holes and comes with dowels that fit loosely into those holes.  The zinc discs are to be used as weight bases, and the snap-lock fasteners at the right are to mount the magnets.

The first step is to glue the blocks to the zinc discs using the hot-glue gun. These ones shown are recycled from an earlier project, that's why they are painted black. Anyways; notice that I draw the glue around the base in random directions for texture.

Here I have about 24 bases for my flight stands. You can see how the block with the dowel shows the loose fit. Let's correct that.

To make the dowels fit more snug, just add some hot glue. Create a puddle with the hot glue and dip the dowel and rotate its tip. Here at the top is untreated, and the bottom one is with the glue.

Make enough for your needs. These dowels are 3-inches long, but you'll probably want to vary them. The idea is to have the dowels be exchangeable; they'll not be permanently glued into the holes in the blocks.

Here's all of the dowels fitted into their blocks. Again, these dowels are removable. My thinking is that maybe in some situations I want things to be higher or lower to the table.

Taking my bird-nose pliers, I crop all of the dowels to about 1.5-inches or maybe a little longer. It's not a precision cut because it will be masked later by the snap-lock fasteners.

OK. Here are the rare-earth magnets. I got these from my local Home Depot hardware store. These particular ones have a hole at their centers which nicely fit the the dowels. Make sure you neodymium magnets instead of the cheaper black "refrigerator" magnets you may normally find at a craft shop or convenience store because those don't really have a strong magnetic field.

The neodymium magnets are very strong. I have to separate them from all magnetic surfaces or else they'll jump together. Here I use my mat-knife to slice one single disc from that tower of magnets near the top of this image.

Here's what the bushing looks like upon the magnet. Notice that the fastener has a hole.

Add hot-glue into the inside of the bushing and push the dowel through. Add the magnet to the end. Because these particular magnets have a hole, I just make it flush to the end.

You can see here that I have enough for a small squadron. All that remains is to spray paint them.

Here's one of the flight stands nearly complete. It could do with some dry brushing to bring out some details. At the right is the reverse side of my proxy figurine. I glued the smaller 5/8-inch washer to the bottom. I imagine that if I were to use a real VSF sky battleship figurine that I'd need to do something similar.

This from later in the week. Time to get painting; I'll be doing some dry-brushing.

Pick a nice blue and pick up some paint. Lay it solely at the base using the flat-side of the brush so as to allow some of the lighter blue color between the glued texture to peek through.

Here's what they look like with the coat of blue laid down.

When the blue paint is dry to the touch, find some white paint. What happens next is that I do some "dry-brushing" by take a minimal amount of white paint and use the flat-side of the brush again. This time I pull the white from the box towards to lip of the base. I also dry-brush the edges of the box ... I dunno why. Looks good to me. =)

Here's what everything looks like when finished and against a dark background.

And here is my aeronef on its flight stand! Ta Da!

Here's the pay-off. This is a close-in view. I actually have a total of 22 clouds upon their stands and two squadrons of 4 aeronefs in play. The missing two are out of frame.  Here is a zoomed-out view of the battlefield.  I really like the combined otherness and familiarity of the setup. This is before I finished the darker paint treatment to the bases of the cloud stands and the flight stands.

Here's the battlefield with all of bases (flight stands and cloud stands) painted with the darker blue. You may notice that I have some of the cloud stands stacked two tall, and that some of the flight stands are taller than the others.

Tuesday, December 20, 2016

Cold Steam Empires - Cloud Stands


In this post, I'll show how I created flight stands for my clouds. I created these clouds for a play-test of Eric Farrington's "Castles in the Sky". The idea of having clouds available as blocking terrain, as a sort of "sky tree" is very interesting to me.


Any how, here's what you'll need:
  1. Hot glue gun with hot glue gun sticks. Maybe a dozen or two.
  2. Primer spray paint. White.
  3. Flat color spray paint. Sky Blue.
  4. Poker chips. Probably white.
  5. Some wood discs, about 1.5-inch across.
  6. Large circular coasters. Mine are 4-inches across and made of cardboard.
  7. 2-inch (plus or minus) PVC pipe connectors, the kind used for building lawn sprinkler systems.
These are my clouds. I built them in the last post.

Glue the PVC connector pipe to the coasters. Ignore that weird thing at the top left, that's for the next post. =)

Poker chips. Cheap plastic version.

Glue the poker chips to the tops of the PVC pipe. Here you might notice that I added texture to the bases of each cloud stand; this will be important later to create the effect of ocean waves.

After spray painting the stands in white primer base coat followed by a blue main coast, all of the cloud stands are done. Here's what the clouds look like upon their stands.

And here's what they look like upon the battlefield at this stage.  My yellowish lighting in my dining room washes out the colors. The clouds are not glued to the stands and merely sit squarely upon the poker-chip bases. This is a good place to stop, but I'll go a little further with the painting (below).

Here's my current inventory. Bunches of cloud stands. I'll be adding more paint.

I draw using the flat of a wide paint brush my blue across the base. I try to draw the paint from the center to the edges of the base. I'll also trim the edges of the base with blue.

Here's a bunch of the bases with blue paint against them all drying.

Once the blue paint dries, I dry-brush white using the flat of the brush across the blue. The white picks up the high areas of the texture bumps which I created earlier when I place the hot-glue gun glue. Looks like waves! I also trim the edge of the base to add a nice white line.

Here's most of the cloud stands finished.

All of the cloud stands are finished now. I've got enough variety in sizes that I can stack some of them.

Tuesday, December 13, 2016

Cold Steam Empires - Some Clouds


And here's where I show what I've been up to.

Recently I joined a small forum for game designers at Delta Vector so that I can get and give feedback on various game designs. The games presented in the forum cover a number of topics in regards to game mechanics and also cover a multitude of genres. One of the game genres is "aeronefs" where World War I is fought with flying battleships. This is a subset of VSF or "Victorian Sci-fi".

VSF is of interest to me because I've been working on the genre document for MEST 2.0 and also I've been trying out the strategic campaign design.  So why not also cover a board game dealing with flying battleships while I'm at it? Since I've already got Cold Steam Empires as a work-in-progress, I thought this would be a great way to establish a more solid understanding of how that board game should be designed.

And so now, as I've been working on getting proper assets into place; I've got some pictures for my progress on building clouds for these sorts of VSF battlefields.


Here's my progress. Stuff you'll need:

  1. Hot glue gun with hot glue gun sticks. Maybe a dozen or two.
  2. Poker chips. White. Maybe a dozen.
  3. Bags of cotton balls. Probably 2 to 4 bags.
  4. Maybe some white cardboard. I use cold pressed board.
  5. Maybe some old DVD or CDs. These are 5.25-inch in diameter. White label them.
  6. Matt knife. For desperation.
  7. Scissors. Yep.

Most of my supplies and tools.

Drawing out weird shapes. Note; try to limit concave shapes as they are hard to cut.

Cutting stuff out.

Gluing cotton balls.

Crumple a piece of white paper for the CD/DVDs in order to fill out some of the volume.

Glue down the crumpled paper and start filling in the gaps with cotton balls.

Here's what the 5-inch disc looks like now with everything in place. Also, the cloud at the top left is made by gluing the cotton balls atop a crescent-shaped piece of white cardboard.

My pretty pretty battlefield with just some clouds. The smaller clouds are upon the poker chips. The larger are upon the cardboard.

Next Time
In my next post I'll show you how I created stands for these clouds.